"Trying to pin down an exacting definition of “contemporary photography”, an ultimate list of what’s in and what’s out, has proven to be an elusive, frustrating, and perhaps even delusional, pastime. Do we distinguish between or eliminate camera-less images, photograms, darkroom effects, collage, montage, and rephotography/appropriation? Or do we just include anything and everything that has its output as a photographic print, regardless of the intermediate processes used to make it? Where are the edges and bright lines? These kinds of questions and debates have become even more puzzling with the increasingly broad use of digital technology and the advent of countless new printing processes. The boundaries of our photographic playing field are getting murkier every day."